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Cake day: March 17th, 2024

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  • It’s actually in England, although funnily enough the part of England it’s in is called Cumbria, which has the same origin as the Welsh for Wales “Cymru”. So it’s sort of in Wales, just not the Wales that we call Wales in English.

    Anyway it’s Old English torr, Middle Welsh penn, and Danish hoh. And like many British place names the pronunciation is not what you would expect at all at first glance. It’s “tra-pen-uh”



  • I’m afraid I am completely unqualified to answer this beyond that Irene’s reign was a very messy one, ending with a rebellion against her. Her own son (the legal heir to the throne for who she was originally just regent) also rebelled against her earlier, and she had his eyes put out. It seems to me like Irene specifically was just absolutely ruthless enough to get past whatever societal rules may have been levelled against her






  • honestly I don’t like anything or i give up on everything. I don’t wanna try new things anymore.

    That sounds an awful lot like depression. That’s nothing to do with being in a relationship or not; it’s not healthy to not be able to enjoy anything or take interest in anything. Forget about the relationship stuff. You can be and deserve to be happy without one. You need to address the other stuff first.








  • While I agree that instruments should generally aim for sound and ergonomics over appearance, those things don’t always have to clash with each other. To take Selmer clarinets as an example, since you said you liked them, it’s normal for the keys and posts to have a highly-polished silver appearance, but you can get the signature model with matte black keys and posts if you want. That’s a totally visual choice that won’t change anything else, but it makes for a really distinctive-looking clarinet. Same goes for all the decorative inlays in the wood.

    Besides that, though, I don’t necessarily mean the visual appearance of the instrument. Check out the synth that the other reply to me linked. It barely has any concessions to aesthetics at all, but someone has clearly experimented with ways to get a highly-personalisable playing experience. My dad and I are both guitarists, but we set our instruments up for totally different sounds because people experimented with stuff and we got to follow in their footsteps to pick what we subjectively liked best - the clear treble sound of thin roundwound strings for him, the rich warmth of thick flatwounds for me. Those are also things that came about because someone, at some point, had the curiosity and ability to just try it out and see what it sounded like, and I love that we get to enjoy the fruits of so many of these experiments now.