It wanted to end its suffering. Blue jaunt.
It wanted to end its suffering. Blue jaunt.
Yes, they’re good books. Ripping yarns. Their charm lies in seeing the underdog earthlings (humans and cetaceans) fight against the odds. There’s a strong vein of what you might call earthling exceptionalism running through the series.
I managed to get through the first book but it was embedded cultural mores like that that made it tough going for me. That’s probably a shortcoming in me more than any fault of the book—science fiction should take you to places that challenge you—but it wasn’t worth it for me personally.
I re-read the trilogy and progressed through them at a good pace but got bogged down on the later books (which I haven’t read before). I think the writing shows its age and are a little longwinded at times.
Groundbreaking story in concept and scope, that hasn’t changed for me.
I was replying to Tekila’s comment about ‘real life’ cows which I think are best thought of as ‘sentient’ but I appreciate your point.
Sentient: able to perceive or feel things.
Sapient: 1. wise or wanting to appear wise 2. relating to the human species, of the species Homo sapiens.
I haven’t seen anyone else recommend Prospect (2918).
I think your daughter might really enjoy it because the lead role is a young female, played by Sophie Thatcher, and it has a terrific far-future, hard SF vibe and great production values for an indie feature. Also the ubiquitous Pedro Pascal is very good in it as well. Killer sound track too.
Yes, additive colour theory is based on red, green and blue (RGB). These are the colours you see if you look at your TV screen very closely.
Subtractive colour theory uses cyan, magenta and yellow. In printing black, abbreviated ‘K’, is added for contrast—CMYK. These are the inks used to print the dots you see if you look closely at a magazine photo.
I think people are confused by this because they’re taught a bastardised version of subtractive colour theory, using red, blue and yellow, at a very early age.