I was going to get this game. Now I’m not.
I was going to get this game. Now I’m not.
This is how we ended up with Q and anti-vaxxers.
“I lost a brother once. I was lucky. I got him back.”
“I thought you said men like us don’t have families.”
“I was wrong.”
Do you not understand how unions work?
The contract would be a combination contract, for performance and AI training. That’s explicitly the thing that’s been agreed to here.
That’s correct, but it’s important to distinguish something explicitly here. The voices may not be copyrightable, but the dialogue is, as long as it’s not also generated by AI (i.e., dynamically generated). Also, the trained model that generates the voice is still proprietary: only its product (and only the sound itself, not the words if the speech is from a script) can be openly used.
It does, yes. And they can also choose to opt out of future uses of their voice in the AI trained model. Which essentially means that their contracts are on a per-project basis, rather than allowing the game developer to force them to contract for the current project and any future use of the model by that game dev.
That’s… what this agreement proposes.
This deal solves the problem you’re encountering, because it allows game companies to use real voices to generate dialogue. It will sound a hell of a lot better than the 100% AI generated voices you dislike.
And it will protect voice actors’ jobs because the deal effectively requires new contracts for each use out of scope of the previous contract (i.e., the “opt out” language), and it encourages game companies to continue to rely on voice actors rather than switch to 100% AI generated.
Without this deal, game devs will just go 100% AI (and the tech will improve dramatically), and within a year or two, game voice actors will have no jobs to contract.
This is especially important in light of the trend toward dynamically generated dialogue in RPGs, etc. Without allowing an AI to train on real voice actors, dynamically generated dialogue will have to be 100% AI generated (no human voice involvement).
Voice acting in all fields is already a diminishing market because of AI generated voices. One of my coworkers had to get a job where I work because his VA jobs basically dried up. This agreement stanches the bleeding by permitting the use of AI trained on VAs (but only allowing use on a per-contract basis). Without that permission, AI would just be trained on open source / freely available voice samples, and there would be no contracts, and VAs would just … not exist anymore.
It wasn’t awful, it was just hapless. It probably would have gotten its sea legs in a second season.
Sad story: the actress who played the little girl died a day after her honeymoon and 8 days before her 22nd birthday, from a heart attack. (She’d had a heart transplant when she was 15.)
The big problem with “Lost” is that many in the writer’s room (and the showrunners themselves) were raging racist assholes who decided to steer the show toward all the white characters, which meant changing a lot of their early plans.
I just want a Babylon 5 reboot! Goddamnit!
Ever try a hot cola?
I once drank a Coke that had been sitting in my car console for a day during the summer.
It was a revelation.
If Kbin defederates from Threads, I’ll just leave Kbin, and stay with Threads. Defederating over vibes is not how the fediverse is supposed to operate. And for everyone advocating for this dumb idea, I’m just using this thread as a honey pot.
What it comes down to there is whether the act of selection is an act of art. If there is no skill other than picking, I’m not sure I’d consider it an artistic act. (For similar reasons I’m very much on the fence about a lot of modern art.)
Star Wars, drive-in, 1977. I was 4.
I can’t imagine there’s any way to make optical drives that much faster. The spin rate is already very high and the media size has been standardized. (You’d get a lot more data throughput with a laserdisc-sized drive spinning at the same speed as a CD/DVD.)
Shit, why not just 30? The frame rate a viewer needs is very different from the frame rate a player needs.
Textual critics are fairly confident that a fair amount of the texts of the New Testament were reliably copied until we get to the first extant manuscripts, and for the stuff that is very obviously messed up, they have a decent set of analytical tools that help them retroject the likeliest original wording. Not perfect, but decent.
That phrase doesn’t mean what you think it means.