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Cake day: June 9th, 2023

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  • So put Hitler’s paintings on permanent exhibition in a Berlin art museum?

    If they’re genuinely good, and contribute to world of Art as whole, why not? It’s not like people don’t listen to Wagner. My guess is that his works are lackluster and have made very little impact in the art world.

    Dalí’s work is revered, and, while he didn’t partake in genocide, he was a Francoist ghoul who shouted “¡olé!” at the assassination of his friend Federico García Lorca by Nationalists.



  • It’s definitely a much bigger issue in metal than you would find in, say, jazz or electronica.

    For a while, and I assume it continues today, there was/is a synth subgenre called fashwave, a Nazi-adjacent take on vaporwave. I imagine they have a niche elsewhere in the electro scene, and prob. industrial too?


  • Years ago, Brendan Small did a couple of characters on Comedy Bang Bang who, while being absolutely fucking hilarious and source of some of the top moments on the podcast, were kinda problematic, coming off as ethnic caricature. He quit doing those characters in 2017, for I think pretty obvious reasons, though I’m not sure whether anyone ever called him out on it. I assume it was similar to PFT’s rationale for dropping Ice-T from his own repertoire. In any event, you can take this however you will.











  • root_beer@midwest.socialtoComic Strips@lemmy.worldXXX
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    3 months ago

    When I was, idk, 7 or 8, we were in our tin can of a ‘78 Fiesta and I was in throbbing pain from my quarterly ear infection, but as the Tylenol+codeine kicked in—it was the late ‘80s, whatev—Kashmir came on the radio while I was sorta slumped to the side, my head resting rather uncomfortably next to the rear speaker. I just spent the following eight minutes just vibing, staring through the raindrop-dotted window at the traffic lights against the night sky, it was goddamn magical. That is my core Zeppelin memory. Years later, Physical Graffiti was the second CD I ever bought, specifically for that song.




  • root_beer@midwest.socialtoComic Strips@lemmy.worldXXX
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    3 months ago

    A couple of months ago, we were finishing up on our grocery shopping when Sledgehammer started to play over the system. Our eleven-year-old daughter, whose favorite has been Queen’s Don’t Stop Me Now since she was like 6, stopped and said, “this guy sounds so familiar… is he the guy who does the Biko song?” Our jaws dropped. I try to play a wide variety of music from every decade in the modern era when we’re traveling so, despite that being my favorite of his, I don’t think it’s been in rotation more than a few times over the years, and its not like its something that would come up on YouTube when we would spend evenings playing music videos from our childhoods. This relatively deep cut from Peter Gabriel resonates with our kid more than his hits do— wait, what kids are even into Peter Gabriel in the first place? Fuckin’ Biko, man, wild. I hadn’t even heard that song, let alone knew what it was, until I was 17 and our only good radio station was playing all the weird stuff as it was dying, back in ‘99, and all the DJs were gone so nobody was announcing what just played.

    Also, she likes to emulate David Byrne’s weird-ass choreography while humming from “Once in a Lifetime”. She’s a li’l weirdo, I love it.