Also can be found:
It’s great! I’d put it up there with other weird children’s lit like The Stinky Cheese Man and Strega Nona.
IIRC DreamWorks originally tried adapting the book directly but it didn’t really work so they kept some concepts and redid the entire story. Early designs of movie Shrek looked a lot closer to book Shrek.
One of the Arrowhead community managers said they’re trying to get more information regarding regions, so it kinda seems like they weren’t fully prepared for this/got blindsided by Sony a bit. There should be an FAQ/QA with additional info coming soon.
Wasn’t that almost what happened with Bryan Lunduke? AFAIK, dude took a hard turn to the right after years of decent Linux-related advocacy and then nuked his social media accounts and tried to claim the opposite. Not sure where he’s at now, but it was pretty strange.
The main story is basically Journey with friends and cosmetics. It expands a bit as you complete each area, easing you into more difficult/spookier content, but it never gets too complex.
There’s also a bunch of secret stuff to find and all of the older seasonal stuff that remains after they ended.
Spoilers for sure, but the wiki is helpful: https://sky-children-of-the-light.fandom.com/wiki/Sky:_Children_of_the_Light_Wiki
I still love that, for Everything Everywhere, he got Jeff Cohen (Chunk from The Goonies) to help him negotiate and sign his contract.
From personal experience, that pharmacist salary is offset by insane pressure from management to meet metrics that keep going up and requiring a fair amount of unpaid overtime put in to keep the queues from overflowing.
Then you’ve got a 50:50 chance of a new tech being insane and or stupid because the good ones have long since burned out. They usually are union, though, so good for them.
There’s a reason pharmacists in the US are starting to drop dead on the job.
My dad had the rare chance to name his position whatever he wanted, but the higher ups still rejected his choice of Grand Poobah.
There were people spamming the devs with requests to make the game harder and saying it’s too easy.
I voted for every response that said any additional difficulty changes should be optional, like how palworld/valheim have configurable difficulty.
It’s more like a traditional 2d fighter than smash, but you can do that with MUGEN
It’s possible. It’s definitely a game that asks a lot of the player to get immersed in the underlying story. Lots of relatively dense philosophical excerpts to read in the terminals. That’s on top of lore-related text to read which really fleshes out the pretty dark story they’re telling. Then there are the puzzles which might not be everyone’s thing.
The second game improves this greatly by moving the majority of the story out of text and into voiced dialogue with NPCs and a few cutscenes. The jump from the Serious Sam engine to UE5 is pretty mind-blowing in terms of graphics. I think there’s going to be a third one, as well?
If the game can’t suck you in, I’d at least recommend looking up the story. It’s pretty neat.
Aside from obvious ones like Baldur’s Gate 3…
Talos Principle 2 is fantastic from start to finish and makes you feel smart. I’d say playing the first one is a must in order to really enjoy it. The dlc, Road to Gahenna, is skippable. Most people I’ve talked to find they already own the first one somehow and just never got around to playing it.
Viewfinder was also good but felt kind of short. It’s priced fairly, though, so it’s worth a try.
Ghost Trick was really really good on the ds, not sure how well it translates to pc but the reviewer liked it. Some part of its charm was the interaction with the stylus. If it goes on sale, absolutely pick it up.
I mean, come on. Everyone knows Mugatu did it best with his Derelicte line.
RIP Paul Vasquez
I’d eat it:
Used Stable Diffusion 2.1
It has an email address for people to send in pictures… I wonder if they did anything with them.