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Cake day: June 12th, 2023

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  • On some National Geographic article in the 90s about the Los Angeles area, there was a photo of a gym class, maybe Tae Bo or spinning, can’t remember, with a gloating caption from the instructor - “We get a lot of very driven, type-A people around here”, and I cannot for the life of me imagine anything other than being bored half to tears and maybe death, in that… intensely shallow environment.

    Imagine all those SUVs and BMWs in the gym parking lot. Yuck.
    Hot! Core! Power! Yoga! “We get a lot of very driven, type-A people around here.”






  • While some tech people behind the scenes are overwhelmed and scrambling to keep all kinds of electrical infrastructures up and running, or at least safe until the solar storm blast passes.

    Plus they were expecting it, have been low-key preparing for weeks or months - knowing there’s a solar maximum - then much more actively a few days and hours before the event arrived, thanks to solar weather satellite forecasts being a reliable thing now.




  • niktemadur@lemmy.worldtomemes@lemmy.worldMTV is turning 43
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    14 days ago

    I remember the first time I saw MTV.

    Back in spring of 1982, traveling down the Baja California peninsula with my parents and brothers, we stayed a night at the La Pinta hotel in Guerrero Negro, a coastal town right on the state border between Baja and Baja Sur.

    During dinner, I asked the man in charge if there was any chance of putting MTV on the hotel atrium television. He enthusiastically said yes, but they had to look it up, they’d never gotten such a request before, didn’t know where to point the large dish out in the desert garden, which satellite MTV was in.

    After dinner, I sat on the couch, a lone figure in the atrium, as hotel guests opted for the garden or their rooms. The VJs that night were JJ Jackson and Martha Quinn, played things like “Girls On Film” by Duran Duran, “China Girl” by David Bowie, “Feet Don’t Fail Me Now” by Utopia, “Goodbye To You” by Scandal, “Escalator Of Life” by Robert Hazard, “Shock The Monkey” by Peter Gabriel, “Demolition Man” by The Police.

    The ambiance created by this channel in this setting, was like an exciting shock of cool water, like being pulled from ancient times into a modern, more connected world. From my small-city, sheltered perspective.

    This experience lasted for three or four hours, then at midnight it was lights out at the lobby and atrium, time to go to bed, and it was over.
    I didn’t see MTV live again for years, although 6-hour VHS taped recordings of MTV made the rounds among friends, the way tapes of recorded KROQ from LA did, our main connection to a larger world of music.

    It was perfect, just enough to get my juices flowing at that age, like Harry Haller in Herman Hesse’s “The Steppenwolf” - For Madmen Only, but for a teenager - but not enough for the rotation of videos to kick in and become repetitive. Right at that sweet spot that seared a mystique into my memory of the moment.